12 Comments

I have wondered lately if what the British Empire did was get ahead, sending out agents to study every culture and religion, reformulate some (Brahmo Samaj) to their liking, and then have cybernetic control over race and culture relations in a world that was already moving in that direction. That way they could choose the most divisive (divide and conquer) version of the future possible.

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I have been afraid to say that out loud. It seems like after it was understood that to win the long game would be to seize the technology of culture , it could not be left to mere chance.

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What is your interpretation of that documentation?

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this document proves that the united states is a corporation under the control of the city of london corporation

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I think we have different definitions of proof. It's certainly an interesting link. I've seen it once before. But I would need something like a legal framework that interprets it. And, if it remains unacknowledged, does that announce the U.S. as an entity under a separate claim? No one legal framework exists without conflicts of interest.

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ok fair enough i can agree to that

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I have come to the realization that much of popular art has been co-opted by the globalists and there is very little resistance art that is allowed to flourish. I hope that more artists would realize they are being played and will be under the bus as soon as they are no longer needed and start batting for the citizens team instead of the globalists but it is few and far between and the conversions are often strange enough that I suspect chaos agents and deep undercover infiltrators.

You have probably left out much more than I will ever learn on this topic but it is interesting to read how the powerful and the peoples resistance has been at it since as far back as we can look.

Aaaargh.

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great post i fully agree with you. i hope to see more art, literature ect. that isnt so hijacked soon

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Thank you Cynthia! "Nathan the Wise" and "Abduction from the Seraglio" are as relevant today as ever and should be performed now! Thanks also for the link to the article about Mozart and the American Revolutionary Upsurge. In particular, I appreciated the explanation of the unique nature of the masonic lodge Mozart was affiliated with, whose ideals of wisdom, truth, and love are threaded throughout his opera The Magic Flute. BTW, last week I saw a delightful production of The Magic Flute in San Jose California (near where I live), conducted by none other than the legendary 19-year old, Alma Deutscher!! I'm grateful to you and Matthew for bringing Alma Deutscher and her incredibly uplifting talent to our attention in a post last year! ;-)

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Interesting points. However, your characterization of requiring conversion to become a full citizen of society as a uniquely Christian practice, is incorrect. The source of that doctrine was the Mosaic law of the Jews, which allowed non-Israelites to naturalize by converting and being faithful for three generations. The third generation could become members of the national assembly. The Jewish state of Israel today follows a similar practice, allowing only Jews the right to become citizens by immigration. (Yes, Israel also grandfathered in citizenship for residents of Palestine prior to 1948, but by bureacratic means make it practically imlossible for Arabs or Muslims to be citizens.) Muslim nations follow the same practice. Why are Christians alone called out for recognizing the reality that all law is fundamentally religious?

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As long as the cultures don’t promote hate and death.

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